(Source: dontcatchafallingknife, via blktights)
(Source: hind-sight, via prolidepp)
“I’ll never forget the day Marilyn and I were walking around New York City, just having a stroll on a nice day. She loved New York because no one bothered her there like they did in Hollywood, she could put on her plain-jane clothes and no one would notice her. She loved that. So as we we’re walking down Broadway, she turns to me and says ‘Do you want to see me become her?’ I didn’t know what she meant but I just said ‘Yes’- and then I saw it. I don’t know how to explain what she did because it was so very subtle, but she turned something on within herself that was almost like magic. And suddenly cars were slowing and people were turning their heads and stopping to stare. They were recognizing that this was Marilyn Monroe as if she pulled off a mask or something, even though a second ago nobody noticed her. I had never seen anything like it before.” - Amy Greene, wife of Marilyn’s personal photographer Milton Greene
(Source: beautilation, via sarahspy)
if yahoo just bought my blog then where is my check
May 23–26:
“Sext Me if You Can”
Karen Finley
New Museum (Lobby), 235 Bowery, NYC
an interactive performance installation taking place in the New Museum Lobby in full view of Museum visitors. For this performance, Karen Finley creates a limited edition of paintings inspired by “sexts” that she receives from participating patrons. Participation takes the form of a commission and requires a ten-minute private and anonymous sitting on-site during announced performance times (bring your own cell phone!). Through this process, the erotic exchange with the artist—bound by rules of commerce—transforms into a lasting and collectible work of art. Presented as part of NEA 4 in Residence.
(Source: nycartscene)
Cobra Woman (Robert Siodmak, 1944)
(Source: obscureandoffbeatcinema)
New Jodorowsky is whoaaa
Vernon, Florida (Errol Morris, 1981)
(Source: human-activities)
Advertisement:
My latest piece of acting work can be seen here, and is debuting at the 13th annual VisionFest in NYC. The screening will be at 9:30pm on Friday, June 28th at the Tribeca Cinema. I’m very pleased to have worked with a fantastic director in Gorman Bechard (Every Everything, Color Me Obsessed: a Film About The Replacements) and pleased to see this excellent piece see the light of day.
Fest times and further info:
http://visionfest.com/film_festival/films/2013/
Please throw some likes on it:
(via meggalifsnotables)
(Source: retinaofthemindseye)
(Source: psychedelic-sixties)
